A theater performer draped in layered translucent plastic sheeting and metallic materials, wearing a large cylindrical hat, illuminated by dramatic blue and amber stage lighting against a dark background, standing on a glitter-strewn floor
Asher Hartman in sculpture by Olivia Mole. Photograph by Danielle Neu.

The Mommy Leaks the Floor (2025)

Featuring José Luis Blondet, Michael Bonnabel, Arne Gjelten and Philip Littell
Asher Hartman, Writer and Director

Luna Izpisua Rodriguez, Assistant Director with Pablo, infant and scene stealer

Oliva Mole, Set Design, Opening sculptural costume and Mommy Mummy puppet

Jasmine Orpilla, Sound Design, live music and voice consultant

Chu-Hsuan Chang; Lighting Design

Marcus Kuiland-Nazario, Costume Design

Dramaturg and special thanks: Naima Lowe

Stage Manager, Dylan Fitzgibbons

Photography, Priyanka Ram, Danielle Neu (featured photo)

Videography and edits by Anna Wittenberg and David Louis Zuckerman

“Even in this disorienting space, where subjectivity imploded, it was not anxiety or confusion that prevailed but a strange sense of comfort.”

— Pablo José Ramírez, Artforum 🔗

“By refusing to flatten psychic struggle into a mere aesthetic gesture, Hartman brazenly attempts to stage the unstageable. […] Life, as Hartman stages it, is an endless loop of affective drama — hysterical, libidinous, ecstatic, and undetermined”

— Hannah Tishkoff, Artillery 🔗

→ Asher Hartman

“This cannot be a play, only a stuttering ceremonial joke.”

— Nancy Popp 🔗

“Jasmine Orpilla is an aural alchemist, enlisting a junk drawer of sonic devices to expand the sparse black box theater into a wormhole.”

— Dorothy Dubrule 🔗

→ Jasmine Orpilla