Paul Outlaw

Paul Outlaw is a Los Angeles and Berlin-based multidisciplinary performing artist. Spanning an array of mediums including text-based drama, physical theater,
performance art, spoken word, and American popular music, his works confront the web of societal constructs around race and gender and excavate the enduring legacies of
white supremacy and patriarchal violence—both physical and psychological—that mar the tapestry of Euro-American history.

Paul’s award-winning solo projects (under the
banner of OutlawPlay) and collaborations have been presented across the United States and abroad. Paul played the title role in Pepe Danquart’s Schwarzfahrer, winner of the 1994 Academy Award for Best Live Action Short Film. Paul’s one-person play Berserker was published, along with an interview and critical essay, in the anthology Blacktino Queer Performance. His recent theater project, BBC (Big Black Cockroach), premiered in June 2024 at Los Angeles’ REDCAT (Roy & Edna Disney CalArts Theater).

With Asher Hartman/Gawdafful National Theater: Annie Okay; See What Love the Father Has Given Us; The Florida Room/The Glass Bang; The Silver, the Black, the
Wicked Dance; Da Real Izzard Gizzard; Sorry, Atlantis: Eden’s Achin’ Organ Seeks Revenge; The Dope Elf; The Dope Elf: That Chick Judy; Organized Around the Erotics of Doing You In; Kay Whale; with Asher Hartman: The Late, Late Show: “Porphyria’s
Descent”; The Late, Late Show.

For more about Paul, visit outlawplay.com.

"Gawdafful Films", Joe Seely

"The Silver, the Black, the Wicked Dance", Bryatt Bryant, Chelsea Rector, Joe Seely, Kensington Smith, Philip Littell, Zut Lors

Actor in white dress shirt stands in dim room, shadow reflected on glass door behind him, floor lamp glowing nearby

"The Glass Bang"

Two actors performing an intimate scene at an indoor dinner party setting, with audience members seated nearby.

"The Glass Bang", Rochelle Fabb

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge", Philip Littell

Two actors in white perform an intense scene on a wooden floor, one kneeling behind the other slumped in a chair, audience watching
Michael Bonnabel in one of Alfred’s alter egos with Paul Outlaw’s Cornhen playing his alter Dirk, the actor. Photo by Ian Byers-Gamber

"The Dope Elf", Michael Bonnabel

Man in white seated between two tall costumed theatrical figures with animal heads, in a bright studio space
Paul Outlaw, as Dirk/Cornhen, sits beside robes and masks by Brian Getnick in The Dope Elf at Yale Union. Photo by Ian Byers-Gamber.

"The Dope Elf", Brian Getnick

Photo by Deanna Hubartt

"The Dope Elf"

Photo by Deanna Hubartt

"The Dope Elf", Jasmine Orpilla

Two actors perform onstage; one sits on a bench, holding the face and hand of the other, who lies on the floor beneath. Masked audience members watch.
Photo by Deanna Hubartt

"The Dope Elf"

Photo by Marianne Williams.

"The Silver, the Black, the Wicked Dance", Chelsea Rector, Joe Seely, Kensington Smith, Philip Littell, Zut Lors

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge"

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge", Joe Seely

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge", Chelsea Rector, Joe Seely, Michael Bonnabel, Zut Lors

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge"

Photo: Ian Byers-Gamber

Joe Seely, Michael Bonnabel, Philip Littell