Zut Lors

Zut Lors, born in Carrolton, Georgia and raised in Los Angeles, has worked with Asher Hartman since 2010. Trained as a visual artist, Zut’s work centers around American identity, hyphenation, power of audience, complications of language, and the spaces in between the spoke and unspoke

"Gawdafful Films"

"The Silver, the Black, the Wicked Dance", Bryatt Bryant, Chelsea Rector, Joe Seely, Kensington Smith, Paul Outlaw, Philip Littell

Two actors kneeling on a dark stage, pressing palms together, lit by warm dramatic lighting

"The Silver, the Black, the Wicked Dance", Chelsea Rector

Two actors touching tongues in an intimate theatrical moment, dark stage background, dramatic lighting

"The Silver, the Black, the Wicked Dance", Chelsea Rector

Actor crouching beside a furry monster puppet costume against a black backdrop, wearing a white shirt with red markings and a nose bandage.
Philip Littell as the hellhound aspect of his character John and Zut Lorz as The Troll. Photo by Ian Byers-Gamber

"The Dope Elf", Philip Littell

Three actors in an art-filled rehearsal space; one sits in an ornate chair with laptop, two others stand amid sculptural installations.
Zut Lorz, Philip Littell and Joe Seely in sets by Brian Getnick, Nic Gaby, and Joe Seely. Photo by Ian Byers-Gamber.

"The Dope Elf", Joe Seely, Philip Littell

Photo by Marianne Williams.

"The Silver, the Black, the Wicked Dance", Chelsea Rector, Joe Seely, Kensington Smith, Paul Outlaw, Philip Littell

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge", Chelsea Rector, Joe Seely, Michael Bonnabel, Paul Outlaw

Photo: Ian Byers-Gamber

"Sorry Atlantis, Eden's Achin' Organ Seeks Revenge"