Photo by Marianne Williams.

The Silver, the Black, the Wicked Dance (2016)

Visually spare, brutally comic, and deeply layered in sound and text, The Silver, the Black, the Wicked Dance is a dark, comedic play about predation in American life. The tar pits, the Great Plains, and an imagined outer space are cold and silent landscapes upon which the euphoric drive to create others as foreign and to become foreign to oneself circulates in abstract vaudevilles of organ regeneration, alien acceptance, and depersonalization. The text, written by Asher Hartman through the work of the company, draws on historical and philosophical material, popular culture, and an extended dialogue with the company about the origins of and interest in shame among privileged populations in the 21st century.

Written and directed by Asher Hartman
Produced by Margot Moss

Featuring: Bryatt Bryant, Philip Littell, Zut Lors, Paul Outlaw, Chelsea Rector, Joe Seely, and Kensington Smith

Curator Special initiatives, José Luis Blondet, Los Angeles County Museum of Art (LACMA)
Assistant Curator, Elizabeth Gerber, Los Angeles County Museum of Art (LACMA)
Composer and performer, Chris Kallmyer
Movement choreography, Margot Moss and Ensemble
Dramaturgy, Philip Littell, Mark Allen
Lighting design, Chu-Hsuan Chang
Special properties, Andy Daley, Candice Lin, Zut Lors
Stage Manager, Winona Bechtle
Assistant Stage Manager, Grace Weilebinski
Documentation, Ian Byers-Gamber
Website design and photography, Haruko Tanaka
Production Assistants, Kailin He and Danni Wei
Production stills, Marianne Williams

Special thanks to Jane Burrell, Senior Vice President of Education and Public Programs at LACMA, Mark Allen, Emily Mast, Chris Candelaria, Candice Lin, the Hartman-Napoli family, and Edgar Frias

For Mark Rucker

 

Performances:

The Silver, the Black, the Wicked Dance performed 3 shows at the Los Angeles County Museum of Art (LACMA) on Friday, May 13, 2016 at 7:30PM and on Saturday, May 14, 2016 at 5PM and 7:30PM.

Bryatt Bryant, Chelsea Rector, Joe Seely, Kensington Smith, Paul Outlaw, Philip Littell, Zut Lors

“Great actors are not only great thinkers but accomplished conduits. They allow themselves to be mirrors of the times in which they live and channels to information beyond our usual apprehension.”

— Asher Hartman, in conversation with José Luis Blondet, LACMA Unframed 🔗

Asher Hartman, José Luis Blondet

Out in the dark, The Raccoon and The Trapper wait.

RACOON
Curse food, curse life, said the thin man
Who he?
A malnourished man
From the swamps?
No, the trees
He come from hills afraid and craven
But in rivers of gold he found his haven.

TRAPPER
She had it all set up.
I walked in.
There were fish and rocks
Skulls
Hieroglyphs
She set me up, man.
Cattle, geese, deer

RACOON
Fauna.

Actor in patterned bodysuit raises phone overhead under two bright stage spotlights against dark background
Two actors kneeling on a dark stage, pressing palms together, lit by warm dramatic lighting

Chelsea Rector, Zut Lors

Actor in denim jacket holds coiled rope on dark stage lit by red EXIT signs

Joe Seely

Actor in pink shirt leans back dramatically under bright stage beams, arm raised, lifted by another performer in dark theatrical lighting

Philip Littell

Actor with face wrapped tightly in clear plastic sheeting, head bowed, dramatic dark background

Chelsea Rector

Two actors touching tongues in an intimate theatrical moment, dark stage background, dramatic lighting

Chelsea Rector, Zut Lors

Actor in silver polka-dot dress and white jacket performs dramatically on dark stage under spotlights, arms outstretched, fists clenched, mouth open

Chelsea Rector

Actor holding a phone, wearing patterned bodysuit sits in dim theater with blue stage lighting. The pattern on the suit matches the pattern on the chairs.
Rehearsal of "The Silver, the Black, the Wicked Dance", 2016, Los Angeles County Museum of Art, photo: Haruko Tanaka
Rehearsal of The Silver, the Black, the Wicked Dance, 2016, Los Angeles County Museum of Art. Photo: Haruko Tanaka

Chelsea Rector, Joe Seely

A nude bearded performer bathed in green stage lighting, seated on a metal walker or mobility frame with white plastic sheeting, against a dark theater background with equipment visible in the distance.
Photo by Ian Byers-Gamber

Philip Littell